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    • 23rd OstLicht Photo Auction
  • Highlights
    • DAVID DOUGLAS DUNCAN Pablo Picasso
    • ROBERT MAPPLETHORPE Chest (Thomas)
    • GJON MILI Pablo Picasso
    • HENRI CARTIER-BRESSON Eunuch
    • VALIE EXPORT Nachfügung
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    • ALEXANDER RODCHENKO Anton Lavinsky
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    • HEINRICH KÜHN Nude Study
    • Highlights From Past Auctions
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  • ALEXANDER RODCHENKO Anton Lavinsky

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ALEXANDER RODCHENKO (1891–1956)

 The sculptor Anton Lavinsky, USSR 1924

As a key figure of the Russian avant-garde and Russian constructivism, Alexander Rodchenko took an active part in the in the artistic discourse of the time and joined the Left Front of the Arts (LEF). The sculptor Anton Lavinsky was also member of this association as well as part of the intellectual circle around Rodchenko. Rodchenko’s studio was the meeting place for the LEF and numerous portraits of its members, such as the one of Lavinsky, where shot there between 1924–1928. In these spontaneous portraits, Rodchenko tried to avoid the mannered and sterile feel of the classic photo studios at the time, which enabled him to depict the momentum of this new intellectual movement and its protagonists.

 

PROVENANCE Acquired directly from the Estate of Alexander Rodchenko, Howard Schickler Fine Art, New York

 

LITERATURE Alexander Lavrentiev, Rodchenko Photography 1924–1954, Cologne 1995, p. 87; Evelyn Weiss, Rodschenko. Fotografien 1920–1938, Cologne 1978, p. 127

 


Vintage silver print, contact print, 8.7 x 11.5 cm


Photographer’s stamp on the reverse, the front showing Rodchenko’s crop marks

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Starting price: 5,000 € / Estimate: 8,000–10,000 €

 

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ALEXANDER RODCHENKO (1891–1956) The sculptor Anton Lavinsky, USSR 1924
zurück
weiter

 

Starting price: 5,000 €
Estimate: 8,000–10,000 €

 

 

PLACE A BID

 

VIEW FULL CATALOGUE

 

CONTACT OUR EXPERT

 


Vintage silver print, contact print, 8.7 x 11.5 cm


Photographer’s stamp on the reverse, the front showing Rodchenko’s crop marks

 


As a key figure of the Russian avant-garde and Russian constructivism, Alexander Rodchenko took an active part in the in the artistic discourse of the time and joined the Left Front of the Arts (LEF). The sculptor Anton Lavinsky was also member of this association as well as part of the intellectual circle around Rodchenko. Rodchenko’s studio was the meeting place for the LEF and numerous portraits of its members, such as the one of Lavinsky, where shot there between 1924–1928. In these spontaneous portraits, Rodchenko tried to avoid the mannered and sterile feel of the classic photo studios at the time, which enabled him to depict the momentum of this new intellectual movement and its protagonists.

 

PROVENANCE Acquired directly from the Estate of Alexander Rodchenko, Howard Schickler Fine Art, New York

 

LITERATURE Alexander Lavrentiev, Rodchenko Photography 1924–1954, Cologne 1995, p. 87; Evelyn Weiss, Rodschenko. Fotografien 1920–1938, Cologne 1978, p. 127

 

 

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